You don’t want to bother keying footage you don’t need. Simply put, keying takes time-time to set it up and render. It’s a good idea to transfer the media first to an edit-grade hard drive.įirst, you’ll want to edit your clips in Premiere. If working with tapeless sources (such as P2 Cards or XDCAM) simply choose File>Import and navigate to the clips on your hard drive. If working with tape-based sources, choose File>Capture and use your deck or camera to load footage. With Adobe Creative Suite 3 Production Premium, you have Adobe Premiere Pro for digitizing or importing video. You’ll need to get the video into the Creative Suite in order to work with it. Fields definitely get in the way of a good key. If your camera shoots progressive, take advantage of it. Keep your model and your camera as far away from the screen as possible. While you’re in the setup menu, be sure to turn off Sharpening. If any of these are left on, this means the green you’re trying to key will constantly change as your model moves. Turn off auto-exposure, auto-white balance, and auto-focus. Let’s explore how Premiere Pro, Photoshop, and After Effects can work together to take advantage of great keying.Ĭameras often have auto features turned on that can make keying much more difficult. How you key will vary on the footage you use, but Production Premium offers an integrated solution. With improvements in both keying technology and cameras, it’s possible to get professional results on tighter budgets. The chroma key wall has come to be used for much more than just the weather.
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